Babylon 5 In Depth – Beauty In The Dark
There is something intensely beautiful about Babylon 5, despite the age and the increasingly dated characters. It has an aesthetic of its own that sets it apart from any science fiction before or since, and perhaps that’s in the design of the universe, the uniqueness of every race and their diversity, perhaps it’s in the epic musical score that underlies those moments of intense action or dramatic importance. Personally, I think it could be the philosophies and views espoused in the series, both subtly and overtly.
There is a scene in the episode “There, All Honour Lies”, very brief, in which Kosh is teaching Sheridan lessons that he will need to win a war of minds with the most powerful military forces in the galaxy. In the lesson, Sheridan is ushered into a dark place of the lowest part of the station, crawling on his hands and knees where he is greeted by a hunched and faceless figure who sits in silence until given something. Sheridan carries no cash, but instead places the metal bar that denotes him as command staff into the beggars bowl. As soon as he does, the dark chamber comes alive with shrouded figures identical to the beggar, singing in one angelic voice as the angelic Vorlon stands outside, entranced. One moment of perfect beauty.
The inquisitor sent by the Vorlons to “test” Delenn and Sheridan asks one question, over and over, “Who are you?“. Names, ranks, titles, none of them are the right answer, and he inflicts pain and suffering until both of them acknowledge that as individuals they are meaningless, but that their role stands for something. It is not long after this moment that the actions of Earth cause the crew to denounce and declare independence from Earth, and symbolically shed their uniforms, replaced by a blank uniform devoid of symbols.
Sheridan offering up his command bar builds upon that image. By taking away his symbol of command he takes a step towards humility, making himself more equal to the humble surroundings, connecting to them and appreciating them. In removing a label given to him by others he becomes more his own man, allowing him to define himself. Every step takes him away from a faction and makes him a part of the greater whole. You witness the moment of revelation on his face – kudos to Bruce Boxleitner for that subtle moment – and he embraces a new enthusiasm from that moment on.
Finding Beauty Everywhere
Much like when he visits G’Kar in his telepathic fugue, Kosh offers another lesson of light in places of shadow, hope in the midst of despair. Desperation causes us to resort to incredible measures, but a moment of clarity when the universe is crashing down around your ears is the only way to resolve the worst of situations. On their way down to the choir, Sheridan makes an off-hand comment about how Security Chief Garibaldi would go mad if they found them down in Brown Sector he’d go mad, just to impress how dangerous that part of the station is as a last-minute exaggeration before that singular moment of perfection.
Kosh lays the groundwork for a moment that comes later, for which a minor spoiler alert is in order – At Z’ah’adum, when Sheridan plummets to his death he is found by Lorien the First One, who encourages him to give in to the darkness utterly, to stop struggling and clinging to life and simply die, or else he could not be resurrected. Would Sheridan have simply lay down and died without the lesson, or would he have fought on, ultimately dooming himself and the galaxy in the process?
A Note On The Song
The song is Puer Natus Nobis Est, a Gregorian chant for Christmas. A Latin song for a human holiday rather puts pay to the notion of the choir being pac-ma-ra, but let us look at the translation:
A child is born to us and a Song is given to us upon whose shoulders authority rests,
and His Name shall be called, the Angel of Great Counsel
Sing ye to the Lord a new song for he has done wonderful things…
Incomplete, but sufficient for now. The Christ comparison is easy to make, a saviour who dies and is reborn, nice and easy, but Puer Natus Nobis Est never mentions the name. Sheridan bears the woes of his government while facing down a great darkness, but would also come to be the highest authority in the galaxy as head of the Interstellar Alliance. The Angel of Great Counsel could refer to Sheridan’s power to resolve more with words and advice than with application of military force.
I’d be open to other opinions on the choice of song. It’s not enough to merely dismiss it as a beautiful chant and a comparison to a saviour character, the use of Peur Natus has relevance, for which I am open to debate, please join me in the comments or over on our Facebook page.
I would challenge anyone to watch this particular moment in Babylon 5 and draw their own conclusions. It is beautiful, poignant, and not discussed nearly enough.