Squids! Octopi! Aliens! What do all of these things have in common? That’s right, tentacles. Okay, aliens maybe not always, but the rest are definitely tentacled. Whether or not you’re going to have a biological tentacle, or a mechanical one, these appendages are long, limber and part of many people’s fantasies. You know what I’m talking about. Anyway, here’s our Top 10 Tentacled Beings.
It took me a month… a whole month to get through Infinity War. Seriously, here are the articles:
Spoiler-Free Study – The MCU & The Avengers: Infinity War 1/4
Super Team Ups – The MCU & The Avengers: Infinity War 2/4
A Darkness Falls – The MCU & The Avengers: Infinity War 3/4
A Generation In Cinema – The MCU & The Avengers: Infinity War 4/4
And they were some of my best work, I was seriously proud of that content! 6128 words and that’s only a fraction of the content I’ve written on the subject of the MCU as a whole. This is the crowning glory of ten years of cinema, twenty-something films and a host of supporting content, the greatest minds in the industry, the biggest budget, and the finest talent, has been poured into a saga of films. Almost as many titles as James Bond crammed into a little over a decade, all drawn from the pages of comic book history, and featuring actors who have played the same characters in a stunning number of films.
So far as I am concerned, the MCU is over. I might go see the others, I would like to watch Far From Home, which will be Tom Holland’s fifth appearance as Spider-Man, outdoing his other predecessors; I am curious to see Baron Mordo return in a new Doctor Strange, and I am pleased that Gunn has been taken back onto Guardians 3… but ultimately, this feels done. This is my review, Endgame finished the saga in the best way it could be ended. It is not perfect, it has some glaring flaws that I will not go into yet, but will inevitably discuss in future.
It was beautiful, and it has simultaneously made cinema better and worse. I recommend looking on YouTube for the One Marvelous Scene collaboration started by Nando v. Movies and taken up by some of his friends and cohorts, and then onwards to dozens of other film analysts on YouTube, where they look back on the entire project and pick a scene that they love for its incredible depth of character, implications, or ramifications that ripple out across the series.
For what it’s worth mine may very well be the fight between our first three “main” Avengers, Thor, Stark, and Rogers, as they throw down for custody of Loki while the trickster god sits casually above them all. It’s a wonderful moment of synergy in which they learn a great deal about the ways in which they conflict and complement one another, every moment revealing a little more about themselves: Rogers the tactician, acting with authority and fighting in the name of a diplomatic conclusion; Tony acting recklessly but willing to get “experimental”; Thor, accustomed to victory is shocked to take a beating, all while Loki watches with a wry smile. Note the two conspicuous pair of crows that fly by the Asgardians, as father watches his sons squabble from afar. And let’s not forget “the gong strike”. Action and characterisation in perfect harmony.
In short, I’ll be talking about Endgame for quite some time, watching it again soon enough, and I might review it on the back of some other grandiose Marvel analysis series… actually I’m watching the scene on the lab in the Helicarrier following the custody battle, that’s an article in its own right. Maybe I need to get onto YouTube sooner rather than later. But three hours of Endgame that successfully ties up a decade of cinema with a wonderful cluster of callbacks and conclusions, it’s more than any one review can dissect. I look forward to talking about this for years to come.
Next week I want to talk about the two big wars of the week, Endgame and the Siege of Winterfell. There will be spoilers.
Funny how something labelled as a “versus” really shows great coordination between both sides.
That’s basically the whole story here, if you like Dungeons & Dragons & Rick & Morty… then it’s a good comic, as one would expect from a story penned by Patrick Rothfuss, fantasy author and famed D&D player with the PAX team, occasional guest star on Critical Role, and he’s a standy-up DM like me. Jim Zub co-penned the piece and has a back-catalogue of D&D comics under his belt. (more…)
The release of Captain Marvel marks the last step to End Game and the first female lead across twenty two MCU films, a milestone that has been long awaited, and there was general consensus that she was a solid choice. Most of the good options from Marvel’s roster of female characters are either X-Men (or memebers of a team), villains, or female iterations of someone else, of those that remain Carole Danvers is easily the best known which, sadly, doesn’t say a great deal. DC at least have always had Wonder Woman to lean on, and they recently found some success with two thirds of a good film, Marvel have never quite had the same fortune.
Nor can we say that origin stories hold up against the big titles that Marvel has become revered for, Doctor Strange was a good enough film, Ant Man was ok, and certainly none of them are as bad as Thor 2, which I maintain still has some redeeming qualities, I’m getting off topic. The Avengers have been the films we have come to respect and love, characters are established and made strong on their own and then brought together to be stronger. A wise man attempts to build his house upon the sand, and tells us that because the house stands so tall that it will stand forever.
There Will Be Spoilers but I’m not going to lie to you here, it won’t make much difference if any at all. (more…)
By Poseidon’s beard, it’s time for another Top 10 and this week, we’re going to be diving deep into the world of water. These picks are all going to make a splash, as we are going to be analysing what we consider to be the best of the best Water-Wielding Characters. These individuals have command over water, or have abilities to conjure, manipulate or otherwise use water in a capacity to give them an advantage.
Ok, let’s do this one last time.
Into the Spiderverse was Sony’s most recent effort with Spider-Man, having almost completely lost power over the main thread of Peter Parker to the Disney/Marvel steamroller. Sony have been left with the castoffs to play with, and they’re doing the best they can with limited control, including a Venom solo movie that had an underwhelming but not disastrous response from audiences, and now the animated feature that brings together Spider-Mans from across the Marvel Multiverse.
I really enjoyed Amazing Spider-Man, I really did, it was not without its flaws, and it took a spin on the character that split opinions, but was respectably set apart from the Raimi/Maguire rendition, with a villain we’ve wanted on screen for quite some time realised by an actor who could compensate for the… odd choices made in the script. I left the cinema with questions, a handful of doubts, but with hope for what a sequel might bring.
Then the hype train starting rolling, and what we saw was a modernised version of Electro with none of the daft yellow spandex in the hands of a very capable actor, Jamie Foxx, and the Rhino in a questionable but ingenious casting choice in Paul Giamatti, in a rhino-shaped tank which looked cool, and we had a Goblin set-up that looked slick and who was obviously going to kill Gwen Stacey. (more…)
To a chorus of “why though?” we get into the first major reboot of the series. Five years after the critical flop of Spider-Man 3, Sony elected to take a do over than try and save the Raimi series. With Tobey Maguire in his late thirties and a lot of ill feeling around the mishandling of the third film of an acclaimed series, it was a reasonable response, although the staggering box office return and the good favour bought by the first two films made a lot of people a little nervous. Sam Raimi had a proven track record, and there was hope that the studio might have learned the lesson to take their hands off the reigns and let the creativity fly.
A cautious audience went to see Amazing Spider-Man, with new face Andrew Garfield and director Marc Webb. name jokes aside, Webb’s previous credentials included 500 Days of Summer and a host of pop-punk music videos, and Tom Holland was already 29 and trying to play a high school student. A cautious audience also left the cinema… (more…)
And so it looks like I am here to finish my reviews of Marvel’s foray onto Netflix. Oh sure, Jessica Jones hasn’t been cancelled, and neither has Punisher, really, but it’s only a matter of time and not a lot of time either the way these things are dropping. So while we wait for the last of the bad news, while Disney pulls in the dragnet, calling the last of its properties back to the mines, we have another series of Punisher to watch. (more…)