Shh, do you hear that? It sounds like the trees rustled over this way, quickly, hide in the underbrush. Now, careful, for today we’ve got to keep on the low-down, lest we become prey for them. Whether you’re a vampire, a beast, or even just an ordinary human, today we’re going to check out the Top 10 Hunters across all pop culture. Video games, Film, TV, Literature, you name it, we’ve got it covered. (more…)
I’m a great proponent of the internet as a tool for delivering easy to digest learning materials, and yes, YouTube is awash with exactly the kind of tools I’m talking about.
Movies especially have an abundance of video essayists who talk at length about films and the film industry, taking wildly different approaches to the art form. Nerdwriter is a current favourite, whose short discussions that may dissect a single scene in a film, deeply explore a particular technique, or occasionally delve into a different topic. Lindsay Ellis does extensive studies that delve deep into the industry, historical relevance of certain creative choices, or shed light on some behind the scenes processes you might not have heard about before. The Closer Look, Every Frame a Painting, Lessons from the Screenplay, there are many of incredible students of film out to share their thoughts and insights.
For academia in general, Kurzgesagt, CGP Gray, some of the extra vlogbrothers content like SciShow; for literature Tale Foundry, and to an extent Terrible Writing Advice; for tabletop RP, Monarchs Factory, Matt Colville; these are the talking heads, the voices of people who have learned enough to want to share and impart what wisdom they can. Though most of it is heavily slanted by the perspective of the author/essayist/YouTuber in question, most strive for an objective approach and back their opinions with research or extensive experience.
I have been spending vast portions of every day studying the talking-head genre, because some time before the end of this month I’m hoping to put my own videos out there. Not something you’d think I’d consider too difficult, I’ve written 500-2000 word articles twice a week, almost every week, plus Top 10 entries, and most of those have been released on time (here, the author coughs by way of acknowledgement that this does not include today’s piece). I also like talking, especially to an audience, be it a half dozen gamers sat at a table, or a hundred or so gamers who are fool enough to want to listen to my opinions.
So where’s the hang-up?
First of all, a moment of gaming the algorithms on YouTube, what I need to produce has to last for ten minutes. After some experimentation playing around with an autocue generator, I’m estimating a minimum of 2000 words, and I – unfortunately – have a tendency to write concisely, too concisely. So it has been a lesson in padding and drawing out subjects without making it dull listening. This also presumes a script, which I’ll come to momentarily.
Second… talking to a microphone is a world apart from talking to an audience. I invested in a moderate quality microphone, poor audio quality is a killer for videos like this and frankly my webcam was proving inadequate. But here this thing sits… glaring at me, unresponsive. As someone who – by necessity – feeds off the reactions of the audience to inform the content, a microphone is a maddeningly passive audience.
Do I improvise, or do I script in full? I know there are plenty of talking-heads who do one, the other, or both. In my early attempts I tried to strike a balance, writing my script as if it were a D&D game plan, a few notes on talking points, a rough idea what I want to talk about and when, enough to structure without being restrictive, but I learned afterwards that I have a maddening idiosyncrasy that makes editing that style of essay impossible: when I’m thinking, I draw out syllables so that the space in between is almost non-existent. So effort two reads straight from a script, and, while better, I find I stumble over the words that I have written. I entered into the idea thinking it would be the perfect for someone who enjoys talking as much as I do, and here I find I’m learning to talk all over again.
When I put down my keyboard I’ll be trying again, and again, to get this right, possibly trying a few other approaches. I write purely to vent, this is a topic on which there are a thousand answers, none of which right for everyone, it falls within the category of “practice making perfect” and “finding what is right for you”.
I’ll be back when I have a right answer.
Hey, it looks like we’re on a roll. Whilst you may be rocking away, things are going to get a little cold, a little stone cold! Ahh, I crack myself up, so whilst we boulder towards this week’s list, let’s get some ground rules out of the way with. This list must at least feature the rocks, stones, boulders or otherwise in a fashion that they stand out. That’s about it, so let’s get ready to rock and roll!
I think I watched the original Jim Henson production a couple of years ago, a double bill with Labyrinth which – to be entirely honest – I never remember watching as a child. But Dark Crystal, the original Dark Crystal, I most certainly saw many years before. One of my earliest experiences of pure fantasy, and it is pure fantasy, free of human protagonists, devoid of anything familiar upon which to hang a sense of reality, comprised only of the complex and wondrous puppetry with which the Henson name is synonymous.
It remains firmly in the cult classic category, a lesser known kids film that connects and resonates with adults who loved it then and revere it now, and – like many a resurrected passion project – the prequel series saw a lot of fans emerging from the woodwork to support it. (more…)
These characters know how to show off their unique personalities. This list is to celebrate characters who hair is literally an extension of themselves and their personalities. It’s also for if they can use their hair as weapons, or just general talking points. Whether it’s a cultural thing or if it’s just how they roll, we’re going to celebrate hair in all of its ridiculousness. Yes, this list is only for Characters with Crazy Hair.
A quick soapbox moment, August has been a busy month and what little bit of time I have had for myself should not be spent watching mediocre films.
So that Netflix had something to suggest when people looked for A Quiet Place, they produced The Silence. The shameless similarities are well documented, it’s practically an Asylum film*, a piggyback on the popularity of a blockbuster to parasitically gain a sliver of notoriety, so I won’t go too deeply into the similarities, but here’s the brief synopsis:
The world has become overrun with monsters that have some hypersensitivity to sound, and they hunt and kill anything that makes a lot of it, they appear to be blind, so anyone capable of living in silence has a chance to survive. One member of the family we follow is deaf, so sign language becomes an essential part of day to day life, and little mistakes cause death, plain and simple. One film is most definitely better than the other, and I won’t start on why, but The Silence raised one hell of a bugbear for me.
So many films are simply bad at designing monsters, and in many cases it’s because drama defies logic. I remember years ago hearing someone remark that dinosaurs would never have roared at random during a hunt because it’s simply bad stealth, announcing your intent to kill someone is the business of certain serial killers who enjoy the fear and dominance of predation, not something that depends on killing to eat. That’s shoddy dinosaur behaviour, but it’s only a narrow leap of logic away from the truth; The Silence’s subterranean bats on the other hand, require some tremendous feats of thought.
Creatures wholly dependant on sound and echolocation make only sounds that support their hunting efforts, and they are adapted to make sounds at a pitch and frequency that make echolocation incredibly effective. We – humans – understand very little about our surroundings by screaming at them. For a start echolocation requires short sounds that are over by the time the echoes return to us, rather than a drawn out howl that drown out the feedback. Of those humans that have mastered echolocation as best as a human can, they make small clicks and pulses, incredibly quiet, but shockingly effective.
The creatures in The Silence shriek, and they shriek constantly. When they move they make a loud fluttering, they scream at each other, they attack anything in the way with a loud clattering sound. These are not echolocation sounds, these are not hunting sounds, these are horror film sounds, and the dimmest understanding of the logic is enough to make such monsters unwatchable and boring no matter how good an actor Stanley Tucci is. A prime example: in an early film moment when the bat-things are attacking a car, and somehow one of them hears activity nearby that the others don’t, and hears it over the sounds of senseless screeching and battering.
And yet later on loud noises are enough to drive them insane?
Let us also briefly touch upon the notion of horror movie predators that delight in leaving corpses for people to find, still with plenty of edible flesh on them. For a creature that appears to have survived centuries below ground, that’s some profoundly wasteful eating habits for a creature that requires a vast amount of calories to both fly and keep screaming like that.
Anyway, rant over. Feel free to discuss other examples of illogical creature design with me, this particular irritation doesn’t appear to be going anywhere, not as long as we continue to sacrifice the basics of logic in the name of a good story. A plot hole or two is fine, but I will not climb down into that particular crater.
*Actually the screenwriter, Shane Van Dyke, has worked on Asylum mockbusters before! There’s interesting. Dude does not understand how deafness works.
Chaaaaaarge… With bestial rage, these beasts will charge at great speeds! Whether or not they’re portrayed as charging everywhere, or if they just charge when they have to, this week’s Top 10 is dedicated to those beasts who would charge everywhere. Whether they’re charging into action, or they’re just charging and tearing through their enemies, these are the beasts that just keep moving.
With the recent news of Sony’s reclaiming Spider-Man I feel like anything I write on the subject of the Marvel Cinematic Universe right now will feel increasingly post-mortem, but there’s nothing wrong with the odd retrospective.
I don’t know why I found myself dwelling on the character of Sam Wilson, but his introduction in The Winter Soldier I found to be one of the most important moments in the MCU. The ninth film, six years after the advent of the series, and up until that moment we were missing several profound elements that Falcon brings to the table especially in his introductory scene. (more…)
A menagerie is a collection or group of animals, in today’s case, we’re going to be looking at magical ones. This isn’t just a list of herds or groups, but rather areas which feature a collection of the most magical creatures. In this week’s Top 10, we’re going to get all magical and in some cases, a little bit science-fictiony. But don’t worry, we’ll stick to our guns and only pick gatherings of creatures that have some strangely magical properties. (more…)
They’re kooky and they’re spooky, but will this latest adventure of The Addams Family be at all memorable? An animated story, which presents itself in a great old-school way, but will modern audiences connect with it? Furthermore, will they get the characters right? A huge proponent to the 90’s films and before was how every character had a role within the family; so will this still be the case, or will this now be washed down? I’ve gone ahead and watched the trailers, seen the promo’s out there and I have to say, this is a bit of a mixed bag for me. Here’re my reasons why – And let’s see how much you agree (or disagree) with.