Ok, let’s do this one last time.
Into the Spiderverse was Sony’s most recent effort with Spider-Man, having almost completely lost power over the main thread of Peter Parker to the Disney/Marvel steamroller. Sony have been left with the castoffs to play with, and they’re doing the best they can with limited control, including a Venom solo movie that had an underwhelming but not disastrous response from audiences, and now the animated feature that brings together Spider-Mans from across the Marvel Multiverse.
To a chorus of “why though?” we get into the first major reboot of the series. Five years after the critical flop of Spider-Man 3, Sony elected to take a do over than try and save the Raimi series. With Tobey Maguire in his late thirties and a lot of ill feeling around the mishandling of the third film of an acclaimed series, it was a reasonable response, although the staggering box office return and the good favour bought by the first two films made a lot of people a little nervous. Sam Raimi had a proven track record, and there was hope that the studio might have learned the lesson to take their hands off the reigns and let the creativity fly.
A cautious audience went to see Amazing Spider-Man, with new face Andrew Garfield and director Marc Webb. name jokes aside, Webb’s previous credentials included 500 Days of Summer and a host of pop-punk music videos, and Tom Holland was already 29 and trying to play a high school student. A cautious audience also left the cinema… (more…)